The starting hypothesis is that the binary archetypes Male / Female – public / private space – work / home space, and the relationship between identity and geography, have fractured in society over the last decades. Therefore, in Literature and Arts that reflect  male and female spaces, or “our” spaces versus “theirs”, should no longer have an imaginary line. The relevance of this proposal lies in the urge to check where the fracture of space and identity archetypal binaries are heading, and how spaces reconfigure or subvert the generic / ethnic / national identity in the new millennium in various literary and cultural events both sides of the Atlantic, and in the “Americas” (not only in the United States).