Number 11
El Español en los Estados Unidos
The aim of this paper is to establish a link between the code-switching in Junot Díaz’s works and some formal resources of graffiti artists –in particular their emblematic tagz. These elements are taken attesting to a battle of the discursive sort being waged in the frontier lands of North America, as well as globally in the contact zones between cultures.
Juliana Nalerio
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